Top 10 Best Cameras for Green Screening 2020

There is no shortage of amazing cameras that can be used for green screen technology.

If you are trying your best to get a feel of how green screen technology works, this is the place to start.

None of these shooters will overwhelm you, nor will they send you into debt. Here is our guide to the best cameras for Green Screening 2019.

1. Best Overall: Panasonic GH4

We would highly recommend picking up Panasonic’s mirrorless camera if you are planning on shooting in 4k. This sits as one of the flagship models for Panasonic right now and it offers a number of different effects with high bit rate video that can make it one of the best current green screen cameras on the market. The room for accessories on this camera are almost endless with a fully articulated screen, mic and headphone jacks, large EVF, Wi-Fi with NFC, up to 96 frame per second shooting in 1080 P and more, this is a camera that could easily stand up against a film camera.

In a tech test that was carried out this year by video alchemy, the Panasonic was actually able to produce a similar quality video to a Blackmagic cinema quality camera which is traditionally valued at thousands of dollars more. The overall usability of a Panasonic is also far superior with its ability to pull quality footage for croma key green screen effects with ease.

Shooting for green screen on DSLR is traditionally a little more difficult but with the robust codecs that are on board with this camera, it is just like shooting with a professional quality camera. Even though it is a consumer quality camera there are even many filmmakers that are switching over to these types of cameras for drone footage, up close action and for green screen work.

2. Best Budget: Panasonic G7

The Panasonic Lumix G7 is considered to be a mid range camera is perfect for anyone that wants to get a green screen experience on a budget. The controls on board are extremely well-thought-out and has an electronic viewfinder that is fully articulated with a touchscreen. The responsive technology shoots well in lowlight and even fires off extensive bursts of image quality at eight frames per second burst.

It has a surprising number of features for 4K shooting as well as the chance for silent shooting up to 1/16,000. The timelapse features, Wi-Fi and other items can make sure that it can compete with some of the big flagship cameras. The G7 is also compatible with the best mirror list lenses on the market ensuring that you can easily switch out the lens on board in favor of something with greater capabilities.

If you are looking for a budget friendly option for your green screen technology, the Panasonic G7 remains one of the best current midrange cameras on the market.

3. Best Green Screen Webcam: Logitech C922x Pro Stream Webcam

For live streaming with green screen effects, it’s important to get the right WebCam. Logitech has long been considered one of the best pieces of WebCam technology and the C920 series sits at some of the top lists over time. This is a specialty camera that is definitely built for the live stream market and it does a fantastic job with the process of green screen effects even live.

The C922 can deliver recording at 60 frames per second in 720 P resolution and there’s the option to switch over to 1080 P with 30 fps.

The green screen technology that’s on board with Logitech is called dynamic background replacement and it works for anyone in live stream if they have a green screen in the background. The effect can even work in lowlight thanks to the lowlight correction technology that’s included with the WebCam for filming in dim rooms.

The omnidirectional noise canceling microphones which are on board the WebCam also improve the audio quality if you don’t have an external mic.

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4. Blackmagic Pocket Cinema Camera

In 2012 Blackmagic design first came out with the cinema camera which set a brand-new standard for color reproduction and image quality at its direct price point. Blackmagic would deliver a miniaturized version of this camera the next year and with a series of 13 stops of dynamic range as well as a smaller and lighter camera for the future.

The pocket Cinema camera boasts a 16 size sensor with an active micro 4/3 lens which can deliver 1080 P video under the progress for 22 codec. The device also supports a cinnamon DNG RAW codec in lossless format. The codec can deliver 13 stops of dynamic range as well as a completely enlarged 4:2:2 color space which offers more compared to some of the other codecs on the market. The improved color detail get especially offer support in postproduction if you are planning on using a lot of color graded technology.

The camera also comes with a full software version of Davinci resolve studio which is a postproduction solution that can combine editing, color correction, post audio effects, visual effects and more.

5. Panasonic Lumix GX80 / GX85

This Panasonic Lumix line represents one of the most compelling greens green cameras that has ever been produced. It has a flat top body as well as a number of upgrades that are commonly found on cameras that are traditionally out of its price point. It delivers a built-in stabilization which is enhanced by a series of lenses to make sure that it can match the performance of various Olympus level bodies. The touchscreen and the 4K video support ensure that this is a product capable of very sharp shooting.

The sensor may only be labeled with 14 megapixels but the images are generally quite crisp and even under the monochrome style they can deliver an impactful support solution for filmmakers. There is no phase detect autofocus on this model of camera, but for regular focusing even in lowlight the sensor performs well.

The only other drawback is that there’s no microphone input or a cable release planned. The audio support on this camera is lacking but the visual quality is difficult to match for its price point.

6. Panasonic Lumix GH5

The Panasonic Lumix GH5 continues to expand upon the capabilities of the GH4 line. This version of the camera comes with a better viewfinder, SD slots for twin cards as well as a built-in stabilization for making this a very powerful shooter on still images. With the improved sensor technology as well as the image processing, it is difficult to match the images that are delivered from this Lumix body.

The 4k photo modes that are available on this device can deliver twice the support for a higher resolution still in any video clip. The movie modes offer an unlimited 4K video quality at 60 frames per second and there are a number of features that include waveform displays, anamorphic capture, programmable focus, vector scope, XLR inputs, flat output and more. You can get all of the professional tools that you would from top moviemaking equipment.

The GH5 is a camera that just makes sense for video aficionados as well as for photographers capturing high resolution stills.

7. Canon 60D

It can be tough to deny the history of Canon cameras in the moviemaking industry. Canon DSLR cameras have revolutionized the way that we make films today. This is an evolution of some of the original Canon DSLR’s.

The 18 megapixel Canon EOS 60D remains an updated camera from the OS 50D and it is one of the first DSLR digital cameras that has an LCD mounted on an articulating arm for viewing what you are filming from nearly every angle. The 60D remains one of the best cameras for its image production quality as well as for managing in almost any lighting condition.

The video quality that’s available on the canon 60D will deliver professional level results and you can make sure that every one of your recordings looks like an absolute masterpiece. Unlike many of the top DSLR’s Canon has not included a continuous autofocus alongside their video recordings here. The camera won’t automatically keep moving objects or faces in focus as you are using it.

If you regularly depend on autofocus, you may want to consider some of the other competitors in the market that do deliver this feature. If you don’t mind performing the focus yourself when you want a Canon image quality with full control on a DSLR, this is a great choice.

8. Blackmagic Ursa Mini

The URSA mini is a camera that’s now commonly used on many TV productions, feature films, commercials, indie films, music videos and more. It produces an absolutely amazing image quality from a camera that’s very compact. The mini shoots in a 4k RAW format and it can be set up to film at 60fps. The image quality on board is absolutely stunning and the global shutter can reduce flash banding as well as some of the motion artifacts that are on board. It has a look that is incredibly cinematic and it delivers a super 35mm sensor that can deliver a relatively easy shallow depth of field.

There are a wide 12 stops of dynamic range on board which can deliver an improved flexibility for postproduction. The camera also comes with a copy of the Davinci resolve studio which is normally around $1000 to purchase on its own. This camera does not film particularly well in lowlight and is really designed as a professional tool with studio lighting used.

9. Sony a6300

The Sony a6300 camera is a mirror less design that offers a 24 megapixel resolution with an autofocus ability, capabilities for video, improved build quality as well as a viewfinder resolution that is some of the best on the market.

The pixel count on this version of the Sony camera sensor is the same but it does offer some improved phase detection and AF points that are ranged across the full sensor. The a6000 has offered one of the best AF systems in its class and this works well with tracking subjects in identifying them. The results with this camera look extremely promising and the company has even gone further in the process of improving their fabrication processes to improve sensor performance. The newest version of the camera has a better battery life and an improved image quality and a lot of this has to do with the innovation in manufacturing.

The a6000 is largely considered to be quite a success in the industry and a correction from some of the previous versions of the camera that were often criticized for their build quality. The newest viewfinder as well as the improved build have lead to a resurgence of buyers in the market and plenty that are requesting this camera as their first choice.

10. Sony a7s

The a7s is considered to be the third model down in Sony’s full frame mirrorless lineup of cameras. This is a camera that definitely places more emphasis on the movie focused capabilities rather than images. It works quite well as a photo-based shooter but it’s definitely marketed for its videography.

The A7S can work to record 1080 P footage on an internal system or over 4k video output. The internal 1080 P footage that is recorded through the camera is done so in the XAVC S format. It’s one of the very first cameras at Sony has used with this format and this delivers a free up from the basic bit rate restrictions of standard formats.

The A7S and its body is fairly close to the 36 and 24 megapixel models that Sony also produces. The difference however comes with the tools that are available for videographers on the camera. A lower contrast S-log2 toned style curve can improve the dynamic range and make sure that time code and other features can be easily recorded too.

Overall, each of these cameras could offer you a great choice for green screen footage!

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